this is, together with existing 2001/2 live versions, a good example of what RTB was trying to do - he was hired, because the previous Beavan mixes were considered somewhat too "modern" and they needed to make the stuff more "classic".
which is, at least for me, a shame - because what Beavan did with Marilyn Manson just a few years ago (he produced Portrait, Antichrist Superstar and Mechanical Animals, and especially the latter two of them have MASSIVELY great sound). I'd still take ANY Beavan mix before ANYTHING else from RTB or later time.
still, this is an interesting insight into work-in-progress at one of the track we are very familiar with.