You know what, I spent ages spying that clip for the third guitarist before finally noticing Stockdale was holding one as well... That guy has no stage presence whatsoever, continuously looked as if he was afraid someone would come from backstage to haul his ass off stage. Shame, 'cause I dig his vocals on this song.

Wow, that's bad mp3 compression there... strange too, bitrate is high enough but it's sooo sizzly in the high end tones. I've erased after three songs or so, the youtube clips are of comparable quality and can tide me over until I can actually buy the disc.

I always thought the end of coma was a great example of his lyrical abilities. SCOM & patience not so much... too direct, too obvious, too sappy. One in a Million, never understood the link between the verses and the chorus...

Bah, the same thing could be said about Izzy. I actually believe Slash has put out a couple of monsters after 91 (Neither Can I, Beggars, Slither, FTP, Serial Killer, ..., not counting anything from the new album yet), but that's obviously just my humble opinion. In the same vein, I find Izzy's solo work a total snooze-fest. His slower songs are boring and his rock songs lack oomph.

For me, Izzy's solo work is about as interesting as Cornell's solo work: not at all (although I consider both very talented). So the fact that you dismiss what I think are great accomplishments as "my imagination", man... not something I would've said...