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#971 Re: Dust N' Bones & Cyborg Slunks » SLASH: New Album Release Date Announced » 770 weeks ago

It'd be shocking to see that an Axl fan thinks that Saint Is A Sinner or Gotten sucks, but we're used to double-standards.

If these songs are average at best, then what can be said about Catcher, ITW, SoD or Madagascar? Let me guess... awesome, the best thing since slice bread, heartbreaking, groundbreaking... help me out with the praise. If Gotten sucks, then CD's ballads suck donkey balls. Only TWAT and TIL are on the same level with these Slash songs (a bit above, to be fair, if you take away Robin Finck's horror).

#972 Re: Dust N' Bones & Cyborg Slunks » SLASH: New Album Release Date Announced » 770 weeks ago

Bono wrote:
monkeychow wrote:

Sort of astounded that anyone would consider the last album a turd.

By the Sword was amazing
Ghost was a solid rocker
Nothing to Say has some great soloing
Watch This! is like classic slash riffing...

I think it's one of his best albums in years.

Agreed and even the track with Fergie was  pretty damn cool I thought.  I like Slash's solo album better than CD and both VR albums to be totally honest.

Same here. It has its faults, a lot of songs would have needed more work, or a different singer, but it's full of life, which the other albums, mostly CD lack.

I'd add Saint Is A Sinner, Promise, Back From Cali, Startlight, Gotten and the non-album track Mother Maria to the 'good song list'. Only Crucify the Dead, Dr Alibi and We're All Gonna Die are close to the 'turd' category James mentioned.

#973 Dust N' Bones & Cyborg Slunks » SLASH: New Album Release Date Announced » 770 weeks ago

Mikkamakka
Replies: 60

SLASH: New Album Release Date Announced - Feb. 6, 2012 

http://www.roadrunnerrecords.com/blabbe … mID=169311

Slash — the iconic, Grammy-winning rock guitarist and songwriter — is currently in a Los Angeles studio putting the finishing touches on his second solo album. The as-yet-untitled disc is due out May 22 on Slash's own label Dik Hayd International distributed through EMI and will follow his 2010 debut album, "Slash", and his November 2011 first-ever live solo album, the two-CD/DVD set "Made In Stoke 24/7/11". Notably, the "Slash" album debuted on The Billboard 200 chart at #3 (#1 on the Rock chart, #1 on the Independent chart, and #1 on the Hard Music chart). Digitally, the album also became the #1 overall digital album and hit #1 on iTunes in 13 countries. Internationally, the disc achieved Top 5 chart positions in over a dozen major territories, hitting #1 in both Japan and New Zealand.

For the new album, Slash — along with and his bandmates Myles Kennedy (vocals), Brent Fitz (drums) and Todd Kerns (bass) — teamed with producer Eric Valentine, who also produced the "Slash" disc. All the songs were written together by Slash and Kennedy, and cameras have been rolling throughout the entire making of the album. Check out exclusive behind-the-scenes footage airing weekly beginning today.

A question-and-answer session with Slash about the new album follows below.

Q: Looking at all your Twitter updates, you sound really pumped about the new disc. This time around, you and Myles wrote all the songs and he sings lead on all the tracks. What inspired this scenario since your debut solo album featured multiple vocalists (including Myles on two songs)?

Slash: Well, having Myles sing on the first record inspired me to take him on the road, then taking him on the road inspired me to have him sing on the whole record. So yeah, the tour last year definitely inspired the decision for him to sing on the new record. He has a really broad range. He is just very musical as far as his melodic style is concerned and he's also very lyrical and just a really powerful singer. There's a lot of positives about the way he sings.

Q: Perhaps you want to talk a bit here about your other bandmates and what they each bring to the sound?

Slash: There's Brent who is probably one of the best drummers I've ever played with — he has a great way of playing very powerful rock n roll while still being able to keep it behind the beat and sexy. And then Todd has got to be one of the most overall talented musicians I've worked with, just a really great bass player. Todd's very quick in the studio, a quick learner and creative as a writer; on top of that, he's also a great singer.

Q: Beyond you and Myles writing all the songs and Myles singing all the leads, in what other ways is the new album perhaps different from your debut solo album?

Slash: Myles and I basically collaborated on the new material. The main thing is we wrote these songs together which is a big difference from the last album where I wrote each song with all of the different collaborators. The whole creative nucleus is between Myles and me. On top of this, the whole rhythm section of Brent and Todd brings something to the table and changes the dynamic completely from the last record — it's much more cohesive.

Q: With your record company Dik Hayd Records, you remain an independent artist and work with major companies for distribution. Can you talk about how you as an artist benefit by this scenario in these interesting times for the music industry?

Slash: It puts me more in the driver's seat of how I want to market the record, but even more importantly than that, I'm not giving half of everything that comes in on the album to the record company.

Q: Eric Valentine returns as producer for the new disc. What do you feel he brings as a producer to these songs and the overall approach?

Slash: The first thing we always talk about with Eric is he's an extremely gifted musician, but he is basically as talented an engineer, so it makes for a great combination as a producer. As a person he's easy to work with — he's very patient and he lives and breathes what he does. That's a lot like how I am, we're similar; I can call him at any moment and ask him a question or share an idea I have with him. He's always in his element and it's something that I can appreciate.

Q: You toured the world seven times with the last album. What are your tour plans for the new album?

Slash: Right now we're starting off with radio shows in the states and then we'll do as much of Europe as possible. We'll also tour in Asia and Australia, and try to hit South Africa this year as well as India and a couple other spots. Trying to just broaden our horizons a bit.

#974 The Sunset Strip » Best Cover Songs » 770 weeks ago

Mikkamakka
Replies: 38

We all know that GN'R were the master of covers, and most bands/artists fail to bring something special when covering someone else's work...but there are fantastic new versions. I'm curious to hear some more great covers.

Two of my favourites:


#975 Re: Guns N' Roses » Which do you feel is most likley » 770 weeks ago

Olorin wrote:

3.

I'm thinking most of the CD sessions will be scrapped now. They are supposed to be more electronic and experimental than the first album was,and I just cant see that direction anymore from a GNR/Axl that is falling back to the cliche skulls n tits type band merchendising and who dust off 2 ancient AC/DC songs to pad out their live sets.
I think they will keep whatever traditional rockers they have in the vault and add new ones with this line up. Fuck knows when though, everyone is showing a strong interest in getting back into the studio and Axls determined to keep them out touring.

Very, very good post.

People didn't seem to care here, but I was kinda surprised seeing the old, cock rockish posters and flyers for the 2011 and now for the 2012 tour. WTF? This band was supposedly moving to another direction and Axl hoped to take some old fans with him. The whole 'moving on' project turned into a 'moving back to nostalgia' cash grab.

As much as I wasn't a fan of the old new band, with people like BH, Brain, Pitman and NIN's Robin Finck, he seemed to have a 'vision', at least you could believe to some degree that you can expect something from him, something different. You could thing he had a 'vision' or at least some cloudy wish.
But that didn't happen. I think he was too cautious and wanted to mix his old band side (The Blues, Madagascar) with his new interests (CD - grunge, Rhiad - Praxis, Silkworms - NIN/Zombie, OMG - NIN/Manson). The audience was shocked in 2001-2002, so he went back into hiding and tried to make it more 'fan friendly'. Hence the album we got years later had more UYI-style songs with some or more beloved industrial influence added (SoD, TWAT, IRS, Madagascar, Prostitute, CITR, TIL, ITW, Sorry) and some of the survivor industrialish songs - strongly reworked and overproduced, instead of having them in their raw, mean (and airy) Sean Beaven version. The added a lot of guitars to hide the electronica as much as they can. Believe me, CD was supposedly be much more electronica heavy, but Axl decided not to take the risk, sometime in 2007, and added a lot of Ron.

Anyway, back to Olorin's original post...what we have today is a clear nostalgia act. They play much more rock and roll, then any post 1993 line-up, with Frank coming from a GN'R tribute band, and DJ being a post-glam guitarist, a typical Sunset Strip guy. Ron can play anything, Richard can be anyone's back-up session musician in any style, Dizzy's another Sunset Strip Survivor, Tommy is Duff 2, the punk that sings a song every show. Chris Pitman is the only guy who doesn't belong to this group. They are playing old AC/DC songs, some 70s punk rockers, David Bowie, AFD, Lies, more UYI. The image is clearly the poor man's classic Guns N' Roses, the flyers, everything. This line-up is as far from the industrial-'experimental' era of the millennium GN'R, as any pre-1996 line-up. Axl wants to revisit the past, for whatever reason, but he wants to revisit it without the actual guys who made the band with him. That's why I see no point in following this band as much as I used to - I have no interest in the 47th performance of Estranged or the 6793rd of SCOM with some guys who aren't Slash. A nostalgia act would get boring in a couple of months, even with the old guys, but replacements' playing nostalgia shows is everything the young Axl fought against. Well, times changed and he lost the hunger. But I don't expect them release the more industrial, electronica heavy CD2. That'd be AC/DC doing that. The band's identity moved back to the 80s.

#976 Re: Dust N' Bones & Cyborg Slunks » Slash N' Leslie West » 771 weeks ago

Leslie West with Slash N' Zakk Wylde: The Party's Over

[youtube]yfKCKgFt2oc&feature=related[/youtube]

#978 Re: Dust N' Bones & Cyborg Slunks » Chinese Democracy vs. Libertad, Round IX » 771 weeks ago

American Man's a very good song, although the chorus could have been better. The main riff is a monster, one of the bests in the past decade.

So goodbye boring CITR.

#979 Guns N' Roses » This I Love live '92 Seattle? » 771 weeks ago

Mikkamakka
Replies: 26

The main theme of the song was supposedly played in Seattle, 1992, during the November Rain intro. Sounds original to me, Axl's typical sloppy piano playing.

http://soundcloud.com/gnrbootlegs/guns- … piano-solo

I'm bloody sure TIL has at least half a dozen versions in Axl's vault.

#980 Re: Dust N' Bones & Cyborg Slunks » VR to reunite with Scott for 'A Concert For John O'Brien' » 772 weeks ago

elevendayempire wrote:

Out of interest, would people be interested in a Duff/Izzy/Matt lineup with a new guitarist and singer? Just curious. After all, Izzy was the songwriting powerhouse in the band, and with the best will in the world there are other lead guitarists who can do what Slash does. Navarro has enough stage presence to handle the role, for instance.

Actually, the more I think about it the more I'd like to hear that band. Navarro would bring more of a funky vibe, which Duff could probably work with (think Rocket Queen), Izzy could rattle off some decent songs and provide his awesome rhythm chops, and... let's say Corey Taylor on vocals, for the sake of argument. Or, hell, Scott Weiland.

Enough. Stop it. Slash is a legend. He  wasn't just a lead guitar player, like millions on the world. He's irreplacable. Stop this Axlite bullshit.

I'd be interested in another band with Duff and Izzy though, even more with Steven on board. But they should get a decent singer, like John Corabi, Mr. Robinson, Andrew Stockdale or Lenny Kravitz, and I'd buy their album on the release date.

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