i think you are talking about my comment about coma right there.

you are absolutely correct about nr though. not a great song IMO, great lead guitar work but no izzy. i've been saying from day one that guitars or vocals don't save bad songs. you can still appreciate the individual efforts but the structure of the song must have integrity first and foremost and nr does not. this also holds axl back. there is nowhere for him to go with his trademark vocals when the music is so monotone and boring.

there should be a rule that says: if, by the tenth round, a song has more total votes (from the previous rounds) than the other four combined it is then disqualified.

that oughta get the wannabe steelheart song outta here.

you bastards and your unfounded hate for catcher

There Was a Prostitute

i enjoy most of bumble's covering parts on the album but it's his contributions, creatively speaking, that i dig the most (other than the solo on riad). His solo on shacklers is awesome but you would never hear me trash on bucket's contributions or put a label over someone's head for liking him more than others do. as an individual i prefer bucket but i see lots of good from both on the album. axl had many chances to releases the album long before bumble even came around and he chose not to. although the reasons as to why this kept happening to axl are probably multiple, we know he was still not completely happy with the album as late as early '07. before you say "he still isn't"  he did finish enough music that he was satisified with enough to turn in to the record company for release at some point, many years after it was supposedly finished. i tend to just trust axl's decisions when it comes down to how he makes his own visions come to fruition and embrace what the final piece of artwork becomes. don't get me wrong, it could be better in some spots but axl's way of pulling everything together in good times and in bad is what makes the album cool.

CD Isn't heavy enough for that